What to Read After

You Finished The Handmaid's Tale.
What Now?

None

Gilead felt like a warning. The specific horror of The Handmaid's Tale is how ordinary it becomes — how quickly a world that should be unthinkable turns into routine. Atwood's power is making you understand exactly how it happens.

7 Books to Read After The Handmaid's Tale

You don't read The Handmaid's Tale just for the story. You read it for the specific, suffocating feeling of inhabiting a mind that has learned to survive by becoming very small. These 7 books understand that.

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The Testaments cover
Literary Dystopia
The Testaments
Margaret Atwood

The long-awaited sequel returns to Gilead fifteen years later, told through three perspectives including — shockingly — Aunt Lydia. The resistance has been building.

If you haven't read The Testaments yet, do it immediately. Atwood resolves threads you didn't know you needed resolved and gives Aunt Lydia a depth that reframes everything.

Brave New World cover
Classic Dystopia
Brave New World
Aldous Huxley

A World State where everyone is engineered for contentment, pleasure is mandatory, and one man starts to remember what it means to want something real.

The ideological twin of The Handmaid's Tale: where Atwood shows control through fear and pain, Huxley shows control through pleasure and comfort. Both are as disturbing as the other.

Vox cover
Literary Dystopia
Vox
Christina Dalcher

In a near-future America, women are limited to one hundred spoken words per day. Jean McClellan, a neuroscientist, has one chance to push back before her daughter loses the ability to speak entirely.

Directly in conversation with The Handmaid's Tale — same register of normalised horror, same claustrophobic first-person. The word counter mechanism is one of the most chilling devices in recent dystopian fiction.

Station Eleven cover
Literary Post-Apocalyptic
Station Eleven
Emily St. John Mandel

A flu pandemic collapses civilisation in days. Twenty years later, a travelling Shakespeare company moves between settlements. The past and present braid together around a single night at the theatre.

The literary quality of Atwood combined with a post-collapse world that finds beauty in the ruins rather than just horror. If you loved Atwood's prose, Mandel's is the closest contemporary match.

The Power cover
Speculative Fiction
The Power
Naomi Alderman

Teenage girls develop the ability to release electrical jolts from their fingertips. Within a decade, the power structures of the entire world have inverted.

A direct response to The Handmaid's Tale: what happens when women have the power? Alderman's answer is exactly as uncomfortable as Atwood's, and just as necessary.

Oryx and Crake cover
Speculative Fiction
Oryx and Crake
Margaret Atwood

After a pandemic wipes out most of humanity, Snowman — possibly the last human alive — pieces together what happened through memories of his brilliant, reckless friend Crake.

Atwood's other masterwork. Where The Handmaid's Tale is about patriarchal control, Oryx and Crake is about corporate control and biotech hubris. Same quality of dread, different vector.

Red Clocks cover
Literary Dystopia
Red Clocks
Leni Zumas

In a near-future America where abortion is illegal and IVF banned, five women in a small Oregon town navigate pregnancy, motherhood, and autonomy in quiet acts of resistance.

The restraint and intimacy of The Handmaid's Tale applied to a world that's incrementally, recognisably wrong rather than fully collapsed. The horror is in the normalcy.

Questions

Yes, absolutely. The Testaments (2019) is a proper sequel, not a cash-in — Atwood spent decades thinking about how the story would end. It won the Booker Prize (shared with Bernardine Evaristo's Girl, Woman, Other). The three-narrator structure is brilliantly constructed and Aunt Lydia's sections alone are worth the whole book.
Margaret Atwood has an enormous back catalogue — Alias Grace, The Blind Assassin, and Cat's Eye are all excellent. If you want the same quality from other writers: Kazuo Ishiguro (Never Let Me Go), Marilynne Robinson (Gilead), and Colson Whitehead (The Underground Railroad) all write with similar discipline and emotional restraint.
There are two books: The Handmaid's Tale (1985) and The Testaments (2019). They can be read together as a complete story. Atwood has said The Testaments is the end of this particular story. The TV series (which diverges significantly from book 2 onwards) is a separate adaptation.