Never read romance before — or only read it years ago and lost track? These 15 novels are the best entry points in the genre, organized by what you already know you like.
The romance genre is the largest in publishing by revenue, which means it is also the most varied. It contains everything from Jane Austen to explicit erotica, from cozy small-town Christmas stories to dark psychological thrillers with a central love story. Saying you want to 'try romance' is like saying you want to 'try fiction' — the question is what kind.
This guide is organized by what you already read. If you like literary fiction, start with literary romance. If you like thrillers, start with romantic suspense. If you like fantasy, start with fantasy romance. The romance genre has a version of almost everything.
The one universal rule: romance novels guarantee a happy ending (or at minimum, a hopeful one). That's a feature, not a limitation — it's the contract between the genre and its readers, and it changes how you read. You're not anxious about whether they get together. You're invested in how.
If You Like Literary Fiction — Start Here
01
Normal People
Sally Rooney · 2018
Literary Romance
Connell and Marianne at school and university — two people who keep reaching for each other and failing to say what they mean. Rooney writes the interior of a relationship with more precision than almost anyone working in contemporary fiction. Feels literary rather than genre; is fundamentally a romance.
Emma and Dexter, one day a year across twenty years. Nicholls checks in on the same date — July 15th — every year from 1988 to 2007, tracking how two people change and what they are to each other. The structure is the story. Beloved by readers who don't usually read romance.
Henry involuntarily travels through time. Clare, his wife, loves him across decades of his disappearances. Niffenegger uses the sci-fi mechanic to write about what it means to love someone you can't hold — and whether love survives the literal impossibility of the loved person's presence.
Louisa Clark takes a job as companion to Will Traynor, a former high-achieving man who is now quadriplegic. Moyes writes a love story complicated by impossibility, choice, and questions about what constitutes a good life. The ending is controversial among romance readers for breaking genre convention — which makes it particularly interesting for literary fiction readers.
January Andrews and Augustus Everett, rival writers who challenge each other to swap genres for a summer. Henry is the most widely recommended contemporary romance author for new readers — smart, funny, and interested in the characters' inner lives as much as their relationship. Start here.
Alex and Poppy, best friends for twelve years, take one last vacation — told across alternating timelines as Poppy pieces together what went wrong. Henry's warmest novel, built on friendship rather than instant attraction. The second Emily Henry to read after Beach Read.
Lucy and Joshua share one desk, one boss, and a mutual, professional loathing that is obviously something else. Thorne writes workplace enemies-to-lovers at its most readable — sharp, funny, charged. The book that launched a decade of enemies-to-lovers contemporary romance.
Lily Bloom falls for a neurosurgeon named Ryle — and the novel goes somewhere unexpected. The most talked-about contemporary romance of the last decade, with BookTok conversations that reflect its genuine complexity. Less a straightforward romance than a novel about love's relationship with harm. Essential reading for understanding where contemporary romance has gone.
Elizabeth Bennet and Mr Darcy across two volumes of English countryside and social comedy. Austen invented enemies-to-lovers, the slow burn, and the satisfying declaration — every contemporary romance trope runs through this novel. If you like historical fiction, this is where the romance genre begins.
A WWII nurse is transported to 18th-century Scotland and falls for a Highland warrior while trying to get home. Gabaldon writes historical romance on an epic scale — the history is meticulous, the adventure is real, and the central love story develops across thousands of pages and multiple novels. The best historical romance series for readers who like historical fiction.
Tatiana and Alexander in Leningrad during the 900-day siege. Simons writes the most emotionally intense historical romance in the genre — the history is accurate, the stakes are as high as stakes get (survival, starvation, war), and the love story is inseparable from both. The first of a trilogy that many readers call their favourite series of all time.
A human huntress is brought to the faerie world — and into a war between courts. Maas writes fantasy romance at its most propulsive: the world-building serves the relationship arcs rather than the other way around. The most widely read fantasy romance series of the last decade; the first book is the gentlest entry point.
A war college for dragon riders, a forbidden attraction, and a political conspiracy. Yarros writes fantasy romance that prioritizes character and relationship over exposition. The most discussed fantasy romance of 2023. Explicit in later chapters; the relationship tension is the primary engine.
An orc barbarian opens a coffee shop. The gentlest entry point into fantasy romance — low conflict, enormous warmth, a slow-burn romance that develops through kindness. The book that invented 'cozy fantasy' as a category and works for readers who find high-stakes fantasy romance overwhelming.
Anna Fox, an agoraphobic woman, watches her neighbours from her window and witnesses something she wasn't meant to see. Finn writes psychological thriller with a central romance — or what may be a romance — embedded in the mystery. For readers who want the tension of a thriller with a love story running through it.
It depends what you already read. Literary fiction readers: start with Normal People (Sally Rooney) or One Day (David Nicholls). Women's fiction readers: start with Beach Read (Emily Henry). Historical fiction readers: start with Pride and Prejudice (Austen) or Outlander (Gabaldon). Fantasy readers: start with Legends & Lattes (Baldree) or A Court of Thorns and Roses (Maas).
By genre convention, yes — romance novels require either a 'Happily Ever After' (HEA) or a 'Happy for Now' (HFN) ending. This is the genre's defining contract with its readers. Books that follow the romance structure but end tragically are classified as 'romantic fiction' or 'love stories' rather than romance. Jojo Moyes's Me Before You is a famous example — beloved, and technically not a romance by genre definition.
Romance is a genre defined by its central love story and guaranteed happy ending. Women's fiction is a broader category where the protagonist is a woman dealing with life decisions — sometimes including romance — but the love story need not be central and the ending need not be happy. Emily Henry writes romance. Liane Moriarty writes women's fiction. Sally Rooney's Normal People is debated between both categories.
BookTok is TikTok's book community, which has driven enormous sales for specific romance novels — most notably Colleen Hoover's work, Fourth Wing by Rebecca Yarros, and Sarah J. Maas's series. These are real books with genuine followings, not just social media marketing artifacts. Whether to read them depends on your taste: they tend toward emotional intensity, explicit content, and fantasy elements. It Ends with Us and Beach Read are the best entry points for new readers interested in what BookTok recommends.