If We Were Villains
The closest thing to a direct peer of The Secret History. Seven Shakespeare students at an elite conservatory have spent four years performing the tragedies until the line between role and self dissolves. When one of them dies, the survivor narrating the story is released from prison ten years later to tell a detective what really happened. The structural DNA is identical to Tartt — confession framing the past, closed group of aesthetes, the question of how complicity accumulates — but Rio replaces Greek classics with Shakespeare and makes the obsession specifically about performance. The distinction matters: if Tartt's characters believe beauty exempts them from morality, Rio's believe they've already become the characters they play. Beloved by Secret History readers almost universally.
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